04-06-2009, 20:33 | Roy L.
Zweimal die gute alte Zeit: T.u.T. mit neuem Vinyl
ALONE - "Fossilized In Concrete 1995-2006"
tut012 | LP | klares Vinyl + Kartoninsert
limitiert auf 318 Exemplare
Longing For Emptiness
Created as an attempt to document an alternative history (or shall we say another dimension) of popular electronic music, ALONE from Belgrade have been active both as a performing and recording project since 1994 and already have to their credit numerous tape and CDR releases, including 5 full-length albums. Their style, eluding any pre-conceived categorisation, is a unique brand of high-tech electro-wave, allying the pathos and weirdness of KIRCHOHMFELD, the complexity and killing beat-programming of LASSIGUE BENDTHAUS and the unpredictability of PIERRE NORMAL. TREUE UM TREUE is very proud to present ALONE’s first ever vinyl release, a selection of 9 tracks spanning a period of almost 12 years, from the first demos down to the latest album. Definitely pop but never easy, futurist and neo-romantic at times, ALONE’s music remains through the years as unfamiliar and utterly compelling as the post-apocalyptic landscapes it tells us about. Like a voice from the outer world, ALONE takes us to the nexus in time and space where each may find their Golden Path.
JOHANNA LIEBHART - "Damals..."
tut013 | 10inch LP | schwarzes Vinyl | Foldout-Cover + Inserts
limitiert auf 277 Exemplare
Ich wollte, ich könnte
1 000 000 Wörter
Mysterious and long-forgotten electro-wave diva of the early 80s, JOHANNA LIEBHART (occasionally credited as “ANNA”) disappeared in largely unknown circumstances back in 1999, leaving behind several unreleased albums. Even if her name is not familiar, some of you will already know her style from ICH WOLLTE ICH KÖNNTE’s first album, released on T.U.T. a couple of years ago, which was inspired by, and largely based on some of her compositions. The tracks on this 10” are all taken from Anna’s early tape recordings, and probably represent some of her most emotional and intimate works, as simple and modest in their beauty as the personality of their creator was facetious. Seven neo-romantic analogue-synth pieces, entirely instrumental. Sacral, minimal and utterly desperate, like the disclosing of someone’s secret chapel, or the hidden garden of a run-down doll-house.
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